Ayanfe Adekunle is a Nollywood
actor-producer and director. who is recognized for his comic roles in Yoruba
movies
Ayanfe Adekunle popularly known
as Alfa Monsuru was born in Isolo, Lagos state and attended St Mathias primary
school for his primary education and Ajibode Grammar school for his secondary
education.
He also obtained a diploma in
Theatre Arts from The University of Ibadan and also trained under Razaq
Olaiwola “Ojopagogo” of Razol entertainment before proceeding to J-15 film
school owned by Femi Adebayo.
In this interview, Monsuru gave
shared his experience as a trainee under his master, who is a veteran actor,
Rasaq Olaiwola Ojopagogo and all the challenges he faces after training school.
Can you share with us how acting
started for you?
My name is Ayanfe Adekunle,
popularly known as “Monsuru Omo Alfa”. I’m an actor, scriptwriter, and
producer. I attended St Matthias Anglican Primary School. I later moved to
Ajibode Grammar school. When I left secondary school, I have already joined
music and dance group, going everywhere to perform. One day, someone advised me
to join the theatre group. I considered the advice and coupled with the fact
that there is nothing serious to do, I joined Alhaji Rasaq Ojopagogo’s school.
I developed an interest in the
profession from the very first day I joined the group. He asked me about my
areas of strength, I told him I could sing, act, dance, and all..and he said I
should display all that I can do. After all the performance, he told me I can’t
be earning anything for now until after 2 years. He said for those two years, I
will be serving my boss. He also warned me to be self-disciplined, because a
time will come that women will begin to flock around me.
Lest I forget, when I called him
and told him I wanted to join his group. I mentioned the name of who gave me
his number, and he said I will be paying N10, 000. So, I said I will get across
once, I’m able to raise the sum. But I kept reaching out to tell him I still have
it in mind but I don’t have the money at the moment and he would say no
problems.
One day I called him again and
told him the same thing, and he said I should bring whatever I have with me, if
I’m really interested. So, I went with N4, 000 that year. And he did all the
necessary auditions and that was how I started.
To the glory of God, we are here
today. There is a saying that one must pass through before he breaks through.
There were so many challenges along the way. But because of determination and
focus, we have gone this far. Because while we were still training it was very
tough. I must admit, it was so tough.
One day, we went for a program in
Ilesha. There was no money for us to return, so we went to one garage with our
big drums. We danced and sang and entertained everybody, people were giving us
money here and there, even the chairman donated on big bus to convey us back
home and also gave us money.
So when we got to Ojo, we decided
to give the remaining money to those who are still going far to help them pay
their transport fare home while those of us who live close to Ojo can find our
way home too.
Just before I got home, my boss
called me and ordered me to return to base for rehearsal. That’s was how he
called everyone else too. I had to borrow five naira from my younger brother to
get to the venue of our rehearsals.
When we all got back to the
theatre school, he looked at us and said, “God saved you all that you turned
up. Now you can go back home”. I was perplexed. It was Taiwo Ajisefini that
gave me transport fare back home. Those are part of the journey
At a point, I became the vice
president of RASOL Entertainment. Bolade Ipadeola was the president at that
time, but I was very agile and energetic than the president himself. We
committed some offense those times that our master got to know about it. Our
master got angry and he chased us all away. And one thing you can take away
from Ojopagogo is, by the time he chased you away from the rehearsal, all those
roles you think you are very good at, he will play them all and performed way
better than all of us. So, there was a time, the group wanted to perform in
Iseyin, it is called Artist Night. Our boss told those with him to call whoever
they want to call back amongst us (that were chased away. So Mohammed Lawal was
the one who called me. I was very skeptical when he called me, but I went with
them. It was just two days to the main event so we joined the rehearsals.
We got to Iseyin very last at
night, because of the curfew in the state at the time. We got there around 2
a.m. As expected, it is our tradition to pay him a visit before we will be
dismissed to our respective lodges.
By the time he saw us, he was so
angry. He asked why they have to call Ayanfe. Everybody took off into the bush.
Nobody could beg for us. He said we must return to Ibadan that night. It was
one Kudaisi Jigan that used to work with baba Dagunro that begged him on our
behalf that night. He begged that they should allow us to sleep on the bus and
leave in the morning. That was how Mohammed and I slept on the bus.
We didn’t know that our exemption
was a blessing. Those who followed him to the stage were all chased away and he
did the performance all by himself that night and he delivered it so well.
There was also a time we went to
shoot Apesin when Kafaya and Yekeen were dropped. We were all feeling pity for
them, but once he cites any of us looking back to check out Kafaya and Yekeen,
he will ask you to get down from the bus.
So none of us could look back, we
couldn’t even turn our necks sideways.
So by the time we got to Ojo,
around Labamba Hotel, we feel we have come a long way. So, I and one Wale
Adeleke looked back. Immediately he saw us through the side mirror, he said
“Wale, Ayanfe, get down.” We got down in Oyo without having transport fare. So
Wale and I went to one Oloogun’s house to beg for transport fare before we
could get to our destinations.
In all, Ojopagogo is so
disciplined. This really helped me later in life, when I became I coach at J-15
theatre group. I was so disciplined that my students also fear me.
My master likes me so much, and
we also fight too. There was a time he chased me from rehearsals and told me to
go home. By the next morning as early as 6am after I had gone to the mosque to
pray. I met him at my house by the time I got back. He stayed with me at my
house throughout the day. The following day, he came again. It was a rehearsal
day so we both left my house for a rehearsal. By the time we got there, he
changed face instantly and asked me what I was doing there.
I was dumbfounded, but we just
got here together’. Then he told me, “Outside rehearsal, we are friends, but
currently, we are not in good terms professionally.”
There was another time we went
out together, by the time we got to rehearsal, I stayed back for a moment to
help him unpack his load, by the time I got in, he told me I was already late,
and asked me to get back (laughs). I was fined for coming late, and we went out
together.
But in all honesty, this really
helped grow in my career and even outside the industry. I am very disciplined
and organized, and everybody knows it.
When I joined Funke Akindele, she
also admitted that I am very principled and hard working. That was also what
Femi Adebayo saw that made him employ me as his P.A and he was paying me. Some
years later, J-15 was created and I became a coach in the school of theatre for
more than 4 years.
All the students that went
through me can testify.
So there is no director that can
intimidate me. I have experience worse situations and have survived.
Most of the training we passed
through those times are not there anymore, today’s students are mildly handled.
In all, I thank God for where I
am and where I hope to be.
When was your happiest day?
My happiest day in the industry
was the day I was given land. I was happy that this profession got me something
that tangible.
Any Challenges so far?
Ahh..Challenges are many.
Something happened so years back. Doris Simon was still pregnant with his boy,
David. It was her blanket that she gave me to sleep on the floor that night at
a movie location. An older actor told me I won’t get anywhere in the industry,
but I thank God today, this same actor calls me for movie roles and I charge
him, and he pays accordingly. I just give glory to God.
Any advice for upcoming actors
Yes. I will say, it is the way
you take the theatre that theatre takes you. If you are a man, and you came
determined and say, I want to know this job and I want the world to know me”,
and you don’t get discouraged despite all the challenges, you will get there.
And if you think you have money
and feel you can just jump into the industry by doing one or two films. You
will do it and get the fame, but it will only end there. No one will call you
for any role, except you produce the movie yourself.
Same for the women, some ladies
worked so hard in this industry without flirting around, and they are
successful. In summary, I will advise you to take this job with a commitment to
what you think you can be.
Post a Comment